This is the 6th painting in my Native American Tales series. Each one depicts an animal that plays the starring role in a piece of animal folklore. Some stories resonate with strong visual imagery and those are the ones I want to paint. All I could find of this tale was a couple of sentences and no tribe of origin. But the picture that it created in my head was unforgettable. So I adapted and retold the story below, according to my interpretation.
Prints are available. I'm hanging on to the originals for now while I finish out the series.
36"x24"
Click HERE for more info.
Visit http://NanceeJean.com to view more of my work
Visit my Art Blog at http://njbussefineart.blogspot.com/
Follow me on facebook
In the 1880s Sitting Bull joined Buffalo Bill’s Wild West Show. He traveled all over the country and saw many things, but wearied of the white man’s ways. He went back to the Standing Rock Reservation in North Dakota to be with his Hunkpapa people. Before he left the Wild West Show, Buffalo Bill gifted him with his favorite show horse which could do many tricks.
After returning to the Reservation, Sitting Bull became the center of the Ghost Dance movement, which the white men thought was the signal for a great uprising. The Ghost Dance Movement was really a religion of despair. It gave hope to people who had been deprived of their land, their food sources, and their connection to their own ancestry.
On a winter day in 1890 43 Indian police were sent to arrest Sitting Bull for his involvement in the Ghost Dance Movement. When they dragged him out of his teepee a commotion began, and when it was over 15 people lay dead or dying, among them Sitting Bull.
When Sitting Bull’s dancing horse heard the battle, it thought it was back in the circus at the Wild West Show. It began dancing and prancing and raising up on its back legs, bowing and curtsying and doing all of the tricks it had been taught. All who witnessed this thought that the horse was possessed because it danced through a hail of bullets and was never hit. The horse still danced for a while after the massacre ended and until the scene was silent. It had honored its master in the only way it knew.
Native American Legend,Equine Art Painting,Sitting Bull
36"x24" Acrylic on Yupo
Click HERE for purchase info.
Visit http://NanceeJean.com to view more of my work
Follow me on facebook
This is part of a series of 6 paintings based on Native American legends.
This painting is based on the legend: How the Aurora Borealis Came to Be.
Here’s my retelling:
After the great flood, the planet tipped on its axis, plunging the North into long periods of darkness. In the North there lived a group of people who had been spared from the flood. But when they could no longer see the sun or feel its warmth, they became sad and afraid; cold and hungry.
The Great Mother felt compassion for the People and told them to gather their belongings and walk south, where the sun would shine and provide bounty and warmth. But because there was no light and little food, many of the people perished on the dark, cold journey south.
In a stroke of genius the Great Mother covered the top of the world with mountains and hills made of ice crystals. The ice crystals captured the sun’s rays and reflected them into the black sky and so illuminated the nomads’ path. They could then journey south under the shifting, humming rainbow of light and became the forerunners of many of the great tribes of North America.
But the white bear stayed in the Great North. He stayed because he loved the beauty of the inky darkness, the music of whale song and sea birds, and the deep comfort of solitude.
36"x24"Acrylic on Yupo
Available HERE
Visit http://NanceeJean.com to view my fine art and illustrations.
Follow me on facebook
This painting is the 5th painting in a series inspired by Native American legends.
These works bring me back to my illustration roots. I love painting the visual imagery of a colorful narrative.
Native American legends are colorful and full of life and the natural world.
I paint these uniformly: all are the 36x24 and all are painted on Yupo mounted to gatorboard. I love indulging my love of detail and "close work.
The legend that inspired this painting is retold HERE
36"x24"Acrylic on Yupo
Click HERE for purchase info.
Visit http://NanceeJean.com to view more of my work
Ravens hold a special place in my heart. I love to paint them, both realistically and interpretively. This painting is the third in a series of raven "totems:" interpretations of ravens as spirit guides. This one is vibrant and full of joy and mischief. I painted her in rich blues and violets with bright accents.
56"x24" Acrylic on Canvas/Available
Click HERE for purchase info.
Visit http://NanceeJean.com to view more of my work
Follow me on facebook
Follow me on Pinterest
Follow me on Instagram
In the 1880s Sitting Bull joined Buffalo Bill’s Wild West Show. He traveled all over the country and saw many things, but wearied of the white man’s ways. He went back to the Standing Rock Reservation in North Dakota to be with his Hunkpapa people. Before he left the Wild West Show, Buffalo Bill gifted him with his favorite show horse which could do many tricks.
After returning to the Reservation, Sitting Bull became the center of the Ghost Dance movement, which the white men thought was the signal for a great uprising. The Ghost Dance Movement was really a religion of despair. It gave hope to people who had been deprived of their land, their food sources, and their connection to their own ancestry.
On a winter day in 1890 43 Indian police were sent to arrest Sitting Bull for his involvement in the Ghost Dance Movement. When they dragged him out of his teepee a commotion began, and when it was over 15 people lay dead or dying, among them Sitting Bull.
When Sitting Bull’s dancing horse heard the battle, it thought it was back in the circus at the Wild West Show. It began dancing and prancing and raising up on its back legs, bowing and curtsying and doing all of the tricks it had been taught. All who witnessed this thought that the horse was possessed because it danced through a hail of bullets and was never hit. The horse still danced for a while after the massacre ended and until the scene was silent. It had honored its master in the only way it knew.
Native American Legend,Equine Art Painting,Sitting Bull
36"x24" Acrylic on Yupo
Click HERE for purchase info.
Visit http://NanceeJean.com to view more of my work
Follow me on facebook
This is part of a series of 6 paintings based on Native American legends.
This painting is based on the legend: How the Aurora Borealis Came to Be.
Here’s my retelling:
After the great flood, the planet tipped on its axis, plunging the North into long periods of darkness. In the North there lived a group of people who had been spared from the flood. But when they could no longer see the sun or feel its warmth, they became sad and afraid; cold and hungry.
The Great Mother felt compassion for the People and told them to gather their belongings and walk south, where the sun would shine and provide bounty and warmth. But because there was no light and little food, many of the people perished on the dark, cold journey south.
In a stroke of genius the Great Mother covered the top of the world with mountains and hills made of ice crystals. The ice crystals captured the sun’s rays and reflected them into the black sky and so illuminated the nomads’ path. They could then journey south under the shifting, humming rainbow of light and became the forerunners of many of the great tribes of North America.
But the white bear stayed in the Great North. He stayed because he loved the beauty of the inky darkness, the music of whale song and sea birds, and the deep comfort of solitude.
36"x24"Acrylic on Yupo
Available HERE
Visit http://NanceeJean.com to view my fine art and illustrations.
Follow me on facebook
This is the 6th painting in my Native American Tales series. Each one depicts an animal that plays the starring role in a piece of animal folklore. Some stories resonate with strong visual imagery and those are the ones I want to paint. All I could find of this tale was a couple of sentences and no tribe of origin. But the picture that it created in my head was unforgettable. So I adapted and retold the story below, according to my interpretation.
Prints are available. I'm hanging on to the originals for now while I finish out the series.
36"x24"
Click HERE for more info.
Visit http://NanceeJean.com to view more of my work
Visit my Art Blog at http://njbussefineart.blogspot.com/
Follow me on facebook
This painting is the 5th painting in a series inspired by Native American legends.
These works bring me back to my illustration roots. I love painting the visual imagery of a colorful narrative.
Native American legends are colorful and full of life and the natural world.
I paint these uniformly: all are the 36x24 and all are painted on Yupo mounted to gatorboard. I love indulging my love of detail and "close work.
The legend that inspired this painting is retold HERE
36"x24"Acrylic on Yupo
Click HERE to for purchase info.
Visit http://NanceeJean.com to view more of my work
This is the 6th painting in my Native American Tales series. Each one depicts an animal that plays the starring role in a piece of animal folklore. Some stories resonate with strong visual imagery and those are the ones I want to paint. All I could find of this tale was a couple of sentences and no tribe of origin. But the picture that it created in my head was unforgettable. So I adapted and retold the story below, according to my interpretation.
Prints are available. I'm hanging on to the originals for now while I finish out the series.
36"x24"
Click HERE for more info.
Visit http://NanceeJean.com to view more of my work
Visit my Art Blog at http://njbussefineart.blogspot.com/
Follow me on facebook
This is part of a series of 6 paintings based on Native American legends.
This painting is based on the legend: How the Aurora Borealis Came to Be.
Here’s my retelling:
After the great flood, the planet tipped on its axis, plunging the North into long periods of darkness. In the North there lived a group of people who had been spared from the flood. But when they could no longer see the sun or feel its warmth, they became sad and afraid; cold and hungry.
The Great Mother felt compassion for the People and told them to gather their belongings and walk south, where the sun would shine and provide bounty and warmth. But because there was no light and little food, many of the people perished on the dark, cold journey south.
In a stroke of genius the Great Mother covered the top of the world with mountains and hills made of ice crystals. The ice crystals captured the sun’s rays and reflected them into the black sky and so illuminated the nomads’ path. They could then journey south under the shifting, humming rainbow of light and became the forerunners of many of the great tribes of North America.
But the white bear stayed in the Great North. He stayed because he loved the beauty of the inky darkness, the music of whale song and sea birds, and the deep comfort of solitude.
36"x24"Acrylic on Yupo
Available HERE
Visit http://NanceeJean.com to view my fine art and illustrations.
Follow me on facebook
In the 1880s Sitting Bull joined Buffalo Bill’s Wild West Show. He traveled all over the country and saw many things, but wearied of the white man’s ways. He went back to the Standing Rock Reservation in North Dakota to be with his Hunkpapa people. Before he left the Wild West Show, Buffalo Bill gifted him with his favorite show horse which could do many tricks.
After returning to the Reservation, Sitting Bull became the center of the Ghost Dance movement, which the white men thought was the signal for a great uprising. The Ghost Dance Movement was really a religion of despair. It gave hope to people who had been deprived of their land, their food sources, and their connection to their own ancestry.
On a winter day in 1890 43 Indian police were sent to arrest Sitting Bull for his involvement in the Ghost Dance Movement. When they dragged him out of his teepee a commotion began, and when it was over 15 people lay dead or dying, among them Sitting Bull.
When Sitting Bull’s dancing horse heard the battle, it thought it was back in the circus at the Wild West Show. It began dancing and prancing and raising up on its back legs, bowing and curtsying and doing all of the tricks it had been taught. All who witnessed this thought that the horse was possessed because it danced through a hail of bullets and was never hit. The horse still danced for a while after the massacre ended and until the scene was silent. It had honored its master in the only way it knew.
Native American Legend,Equine Art Painting,Sitting Bull
36"x24" Acrylic on Yupo
Click HERE for purchase info.
Visit http://NanceeJean.com to view more of my work
Follow me on facebook